Our command of Inuit is not what it should be, but here at
GORP headquarters we know a better deal when we see one. On Sunday afternoon, in a performance that
is free and open to the public, the University of Richmond will stage John
Luther Adams’s ecological composition Inuksuit at the
Jenkins Greek Theatre, just above Westhampton Lake. GORP will be there – and not at Great
Shiplock Park – because, well, this sounds like a whole lot more fun than
picking up trash:
Thoreau recorded the momentous social and
environmental changes of the industrial revolution through describing the
interactions of natural and man-made sound: the “music” of the wind on the
telegraph wire, the interaction between birdsong and train whistles, the play
of wind and whirring sawmills. For Thoreau, close listening gave these ‘found
sounds’ the vividness of musical events. The Alaska-based composer John Luther
Adams (b. 1953) composes the momentous social and environmental changes of our
era, documenting climate change and cultural loss in sound itself.
In collaboration with the Grammy Award winning
Eighth Blackbird ensemble, the University of Richmond will stage Adams’
monumental ecological composition -Inuksuit (an Inuit word meaning ‘in the
capacity of the human’). The 90-minute
composition, scored for 99 drummers, will be performed in the wooded area of
the campus along Westhampton Lake. Composed to blend (and confuse) the sounds
of nature and humanity, Adams invites us to hear our world as Thoreau heard
Walden.
The performance starts at 4:00 p.m. and ends at 5:30. Parking is available at the Modlin Center for the Arts (for
directions click here).
Hope you can join us.
“I went
to the woods because I wished to live deliberately, to front only the essential
facts of life, and see if I could not learn what it had to teach, and not, when
I came to die, discover that I had not lived.” – Henry
David Thoreau, Walden
I was really blown away by this performance. The blending together of the sounds of the piccolo with the birds and then the fading out of the piccolo with only the bird song remaining really moved me.
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